Unisex french love

In the heart of Provence, surrounded by canals, cobblestone streets, and the soft light of southern France, an extraordinary wedding shoot on the theme of unisex love took place. L’Isle-sur-la-Sorgue, known for its ancient architecture and the interplay of water, stone, and vegetation, provided the ideal setting for a stylish production that combined modern contrasts and classic elements.

The shoot took place in La Chapelle de la Charité – a 17th century chapel that served as the perfect stage with its simple elegance and light-colored stone walls. The interior impressed with vaulted ceilings, patinated walls and an atmosphere that was both minimalist and majestic. A timeless emptiness that invited experimentation. Photographer Jeremy Froeliger used the extraordinary lighting mood and the generous volumes of the room to stage the special modern wedding looks.

The concept deliberately challenged conventions. Instead of traditional rows of seats, long, elegant sofas were arranged for the guests. In front of them were low tables with minimalist flower arrangements of white gypsophila. The ceremony itself was reminiscent of a fashion show: A catwalk of light, flowers and candles stretched through the room, crowned by a floating floral arch that welcomed changing wedding couples.

The central theme of the shoot was the freedom to express love beyond fixed gender roles and clothing norms. The classic three-piece suit was deliberately questioned. Instead, the brides and grooms wore individual looks that alternated between couture and simplicity. The outfits came from the Sonia B Boutique, whose avant-garde selection offered a wide range of styles. Structured dresses with artfully crafted backs, opulent fabrics and contoured volumes created strong, visually striking silhouettes.

The design of the dinner remained true to the line of the concept: white in all its facets, combined with texture, light and the subtle elegance of silver. The design focused on volume and clear lines, opulent and puristic at the same time. Elodie Villemus was responsible for the overall creative concept and implementation. It was a play with space, perspective and the deliberate use of emptiness. Materials and light reflected each other – nothing was left to chance.

The creative approach was a plea for individuality. It was about creating spaces in which people could express themselves and their love without restrictions. Brilliance, elegance and courage defined the aesthetics. The production proved that modernity and history are not mutually exclusive – but can write a new love story together.